Thursday, 17 December 2015
Thursday, 26 November 2015
Ancillary planning-V2
Ancillary planning - V2

When completing some of our edits of our planned ancillaries we also came up with a new idea that we could possible decide to use instead of the first set of planned ones; we were thinking that there is a lot of talk in our song of newspapers and the main artist being turned from a scruffy no life person to a much more successful person a 'superstar' by 'putting on his boots' and kept on walking (getting on with life and following his dreams no matter what obstacles may face him). Playing off this theme running through the song of newspapers and the media we came up with a new theme; for the poster and the main front panel on the CD digi-pack we are going to make a mock up front page of a newspaper with the same image idea we talked about in the first 'planning ancillaries' post of a main image of kuziva but split in half with the scruffy unsuccessful side on the left and the smart 'superstar' side of kuziva on the right. But then when it comes to the other panels on the CD digi-pack they will also follow a newspaper style theme. The sketches of the plan are below: (also if we complete this ancillary idea we can get audience feedback from it and decide whether this idea is better than the previous ancillary ideas - so we can use the best in the audiences opinion)


Graphic match testing
Graphic match testing
When completing our storyboards and our idea, we wanted to include quite a few graphic matches that can be used as transitions form one location to another, one of the main graphic matches in our production is when Kuziva walks from a urban city area into a field, rural are and we wanted the graphic match to happen while he jumped over a trailing to make it more interesting, once getting multiple shots we edited it up to see how it turned out before using it and this was the result:
Monday, 23 November 2015
Friday, 16 October 2015
Loccation scouting
Location scouting
One of the locations that will appear in our music video is Bourne town. The town will appear several times throughout the music video. There will be random shots of the town at the beginning. This will give the audience a feel of the area they are. It will also help starting here because as the video progresses it the musician will go from a village/town to a more urban like environment The random shots at the beginning of the music video will last for approximately 25 seconds. The use of a town will also help the sort of emotion we want the audience to feel while listening to the song. The use of a village setting creates a lonely or isolated feel this is because as the main musician travels he will go from a populated place to being surrounded by fields. This will show his loneliness ,at this point the lyric 'put on ya boots and keep on walking' will be said and he will start walking.
The second town location is going to be Peterborough town centre. There is going to be random shots of the town centre which will show the contrast of the countryside town and a city. This will last for about 25 seconds. After the musician travels from the loneliness of the countryside he will then travel to a more urban area. Here he will still be walking and travelling to a place that's unknown to the audience. Using Peterborough will be good because it will show a good contrast between Urban and rural. This will also help change the mood of the music video because gradually the mood of the music video will change and become happier. This will happen because humorous things will begin to happen while the musician is walking through the town. This will further help us represent the disjuncture in the music promo. We will be using several different locations in Peterborough. They will be used to help create a disjuncture music promo.
Another location is the Peterborough train station. The station will be pivotal in showing the transition between scenes. This location will be key because it will show time passing, the train station will be important because it distinguishes the location change. It is also important because the video is based on travelling in a straight line and the use of this train station will be a large part of this. Because the video is going to be disjuncture the train station will also help us achieve the disjuncture element of the music promo. We will also be travelling to a different location so the use of the train station will be vital.
This is the second train station we will be using. This will be the place we travel to from Peterborough train station. The use of this train station will also show the distance we have travelled which is a big part of the music video. The train station will also be key in showing a change in the mood of the music video. The audience will be able to see the further we travel the better the mood of the music video will be.
One of the key places that we will need is the field that the musician walks in. This is the link between the rural and urban areas. the field represents the sad lonely part of the promo which is a the beginning. The field is essential in showing the audience the emotion of the promo at the beginning which will change later on in the promo. There will be random shots at the beginning of the video will show the lonely area the musician is in.
Thursday, 15 October 2015
Monday, 12 October 2015
Music Video Analysis- 'All About That Bass'
Pop- Meghan Trainor- ‘All about the bass’
All about the base adheres to most of the conventions of the
Pop genre. This is shown from the choreographed dancing in the music video. Meghan
Trainor has several other women with her that a times dance in tune with her,
this is shown in nearly all Pop music videos and is a big part of the Pop
genre. Another main convention of the pop genre is the use of eccentric colours
and dress code. They mainly do this to show the youth culture while also making
the video as visually pleasing, this is because the videos are mainly targeted
to a younger audience. The music video ha a colour scheme that has vibrant
colours which further represents the video is targeted at an audience that will
be captivated visually. The majority of
the music video consists of close ups, long shots and mid shots however, at
times the video uses the bird’s eye view shot. Close ups are mostly of the
musician when she’s singing; the shots are usually longer than other close up
shots that don’t involve the musician. Other close up shots that don’t have the
musician are short and show interesting people that are dressed in an extreme
way or of the dancers. The long shots
show the entire room which is in a vibrant colour and the camera usually zooms
in to focus on the musician or an important person in the shot. Mid shots are used
throughout the video and are mainly focused the musician, the shot is used to
show the important feature around her while not showing the entire room. The
music video is Mostly narrative, this is because throughout the music video
there are scenes which represent the lyrical content such as ‘stick figure silicone
Barbie dolls’ which is then shown in the music video.
This shot shows the birds eye view which is used several times throughout the music video. this shot shows the vibrant colours that are used in the promo and highlights the musician. When this is shot is used it only shows the musician which and focuses on her. This is a typical convention of the Pop genre to fixate on the musician.
This is a mid shot of other perfomers in the music promo. The shot is very quick and is shown to further establish how eccentric the music video is. The use of this shot is appealing to the younger target audience. The shot is also representing the narrative in the music promo.
This is a mid shot of the musician and back up dancers. The shot shows some of the typical conventions of the Pop genre. One convention that is represented in the shot is of the vibrant colours that are displayed and another is the cheoreography. The shot also focuses on the main musician while blurring out the backup dancers. This further emphasises the importance of the musician.
This is a close up of the musician and back up dancers.Again the musician is focused while the back up dancers are blurred. The shot also shows the conventions of the Pop genre.
This is a close up shot shown in the music video. This is one of few shots that doesn't involve the musician. The shot is an extremelry quick shot and doesn't last long. this occurs throughout the music promo while also showing conventions of the Pop genre. Mise en scene
Mise en scene: Costume
One of the main outfits in the production is the casual outfit he
main signer will be wearing. He will
be wearing various different casual outfits throughout the production and In
various different environments. This will be showing the contrast between
smart and casual wear that is described in the lyrics. The clothes will be
provided by the person and will link to the lyrical content. They will
represent the contrast of smart clothing and casual clothing throughout the
production.
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Another main outfit is a suit which will be worn by the lead singer.
He will be wearing a suit a certain stages of the music video, this will be a
representation of some of the lyrical content in the music video. This will
represent the ‘superstar’ that is in the lyrics. This will also show a
contrast of smart and casual clothing.
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The boots are essential because the music video is centred on the
boots. The boots will first feature at
the beginning of the music video and will feature throughout the music video.
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Shot list
Shot number
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Location
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Description
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Shot
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Actor
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Instrumental part at the start
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1
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Town
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Location shot that shows the places that will be in our music video.
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Long shot/ establishing shot
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No actor
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2
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Field
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Location shot that shows the places that will be in our music video.
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Long shot
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No actor
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3
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Studio
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Location shot that shows the places that will be in our music video.
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Medium shot
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No actor
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4
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Bedroom
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Location shot that shows the places that will be in our music video.
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Medium shot
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Kuziva
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5
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Bedroom
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Location shot that shows the places that will be in our music video.
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Medium shot
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No actor
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6
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Field
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Location shot that shows the places that will be in our music video.
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Long shot
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No actor
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7
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Town
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Location shot that shows the places that will be in our music video.
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Long shot
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No actor
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8
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Train station
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Location shot that shows the places that will be in our music video.
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Long shot
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No actor
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9
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Town
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Shot that shows the lead singers bare feet. This shot links to the lyrics used within the chorus.
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Close up/ extreme close up
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Kuziva
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Songs starts
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10
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Town
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Close up shot of the lead singers face. In this shot the lead singer will have just started singing. The lyrics that are being sung in this shot are “Sometimes people look”
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Close up
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Kuziva
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11
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Town
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Close up of lead singers eyes. The lyric being sung in this shot is “at”.
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Extreme close up
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Kuziva
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12
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Town
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Point of view shot showing others looking at lead singer in a funny way. The lyric being sung here is “you”.
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Point of view shot
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Kuziva
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13
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Town
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Close up of the lead singers face. The lyrics being sung in this shot are “in a funny”.
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Close up
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Kuziva
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14
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Town
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Mid shot showing lead singer lip singing. The lyrics being sung in this shot are “way but”.
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Mid shot
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Kuziva
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15
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Town
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Long shot showing the lead singer walking down the street while he lip-syncs to the lyrics “not today”.
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Long shot
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Kuziva
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16
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Town
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Mid shot showing the lead singer walking down the street while the lyric “because” is being sung.
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Mid shot
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Kuziva
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17
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Town
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Shot showing the lead singer still walking down the street showing people behind him. The lyrics that are being sung in this shot are “they know things could”.
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Long shot
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Kuziva
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18
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Town
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Mid shot showing the vocalist still walking down the street. He sings the lyric “change” in this shot.
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Mid shot
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Kuziva
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19
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Town
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Long shot showing the vocalist still looking at the camera while walking down the street. During this shot he will be singing the lyrics “like the way they are”. 360˚ of the vocalist when he is then looking at the camera again he is wearing different clothes.
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Long shot
360˚
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Kuziva
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20
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Town
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Long shot showing the vocalist in a change of clothes walking down the street. The lyrics “you’re like a super-“.
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Long shot
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Kuziva
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21
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Town
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Shot showing lead singer’s face wearing sunglasses. The lyric that will be sung here is “star”.
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Close up
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Kuziva
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22
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Town
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Mid shot showing the lead vocalist walking down the street singing the lyric “so don’t you”.
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Mid shot
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Kuziva
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23
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Town
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Long shot showing lead singer lip-syncing to the lyrics “look around and wonder”. During this shot a fake sun appears in the top right hand corner.
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Long shot
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Kuziva
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24
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Town
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Mid shot showing the vocalist picking up the sun and throwing it away while he sings the lyrics “where the sun has gone”.
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Mid shot
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Kuziva
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25
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Town
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Long shot showing water being thrown on the vocalist while the lyrics “the weather man was wrong”.
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Long shot
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Kuziva
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26
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Town
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Man walks in front of the camera while the lyric “and” is being sung.
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Black surface transition
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Kuziva
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27
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Town
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Mid shot showing the vocalist suddenly in a busier part of town. The lyric “downtown” will be sung here.
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Mid shot
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Kuziva
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28
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Town
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Long shot of the vocalist with people in the background holding newspapers following him to a door. The lyrics “papers talk about” are being sung here.
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Long shot
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Kuziva
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29
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Town
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Close up showing hand on the door handle about to walk through while the lyric “radio” is being sung.
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Close up
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Kuziva
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30
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Studio
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Mid shot showing the vocalist walking through the door while singing “I’m at the studio”.
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Mid shot
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Kuziva
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31
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Studio
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Long shot showing the vocalist in the studio and then seeing him walk out while singing “yeah”.
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Long shot
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Kuziva
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32
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Bedroom
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Another long shot showing him walking into bedroom towards the bed. While he sings the lyrics “be careful what you dream of”.
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Long shot
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Kuziva
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33
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Bedroom
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Mid shot showing him getting into bed singing the lyrics “y’never gonna see the day”.
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Mid shot
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Kuziva
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34
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Bedroom
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Ariel shot to show the right side of his face while he is singing the lyrics “you cannot live without this”.
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Ariel shot
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Kuziva
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35
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Bedroom
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Ariel shot of the left side of the bed while he is singing “it’s never gonna be the same”.
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Ariel shot
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Kuziva
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36
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Bedroom
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Mid shot/ Ariel shot showing the lead singer while the lyrics “this pain” are being sung.
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Mid shot/ Ariel shot
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Kuziva
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37
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Bedroom
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Close up showing the singers face while he sings “put on ya boots and keep on walking”.
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Close up
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Kuziva
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38
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Bedroom
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Shots 32-37 will repeat for the second repeat of the chorus.
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Long shot
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Kuziva
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39
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Bedroom
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Shots 32-37 will repeat for the second repeat of the chorus.
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Mid shot
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Kuziva
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40
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Bedroom
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Shots 32-37 will repeat for the second repeat of the chorus.
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Ariel shot
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Kuziva
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41
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Bedroom
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Shots 32-37 will repeat for the second repeat of the chorus.
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Ariel shot
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Kuziva
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42
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Bedroom
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Shots 32-37 will repeat for the second repeat of the chorus.
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Mid shot/ Ariel shot
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Kuziva
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43
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Bedroom
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Shots 32-37 will repeat for the second repeat of the chorus.
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Close up
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Kuziva
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44
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Bedroom/ town
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Shot showing the singer walking in front of the camera to the right. (1.40-1.43)
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Long shot/ mid shot
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Kuziva
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45
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Town
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Shot showing the singer walking towards the camera. (1.43-1.46)
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Long shot/ mid shot
(Slow 360˚)
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Kuziva
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46
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Town
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Shot showing the singer walking in front of the camera. (1.46-1.49)
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Long shot/ mid shot
(Slow 360˚)
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Kuziva
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47
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Town
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Camera behind the singer as he is walking. (1.49-1.53)
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Long shot/ Mid shot
(Slow 360˚)
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Kuziva
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48
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Field
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Vocalist seen walking through door into a field singing to the lyrics “I bet”. (1.53-1.55)
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Mid shot
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Kuziva
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49
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Field
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Long shot showing him in the field while singing to the lyrics “you wish you’d got this far but you have so”. (1.55-1.57)
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Long shot
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Kuziva
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50
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Field
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Long shot showing the vocalist singing “there”.
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Long shot
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Kuziva
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51
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Field
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Extreme long shot showing the vocalist and the background singing the lyric “you”.
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Extreme long shot
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Kuziva
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52
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Field
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Extreme long shot showing the vocalist and the background singing the lyric “are”.
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Extreme long shot
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Kuziva
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53
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Field
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Vocalist singing in to the camera the lyric “inside”.
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Mid shot/ close up
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Kuziva
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54
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Field
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Vocalist singing in to the camera the lyrics “that is where the scene is built”.
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Long shot
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Kuziva
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55
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Field
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Vocalist singing in to the camera the lyrics “so how can you want the guilt”.
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Mid shot
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Kuziva
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56
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Field
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Vocalist singing in to the camera the lyrics “to this”.
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Close up
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Kuziva
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57
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Field
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Close up to show the right side of the lead singer’s face, while he sings “never”.
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Close up
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Kuziva
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58
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Field
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Close up of the left side of his face while singing the lyric “ending”.
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Close up
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Kuziva
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59
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Field
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Close up of the whole of his face showing him singing to the lyric “front”.
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Close up
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Kuziva
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60
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Field
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Mid shot showing him in the field singing to the lyrics “there’s no need to be blunt”.
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Mid shot
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Kuziva
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61
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Town
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Vocalist then seen in a busy town singing the lyric “centre” as he is walking towards the camera.
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Long shot
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Kuziva
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62
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Town
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Tracking vocalist walking towards the train station as he sings the lyrics “of a town”.
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Long shot
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Kuziva
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63
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Train station
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Long shot showing him at train station as he sings “on a train”.
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Long shot
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Kuziva
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64
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Train station
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Mid shot showing an approaching train while the lyrics “heading for outward bounds” are being sung.
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Close up
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Kuziva
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65
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Train station
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Close up showing the lead singers facial expression while singing “be careful what you dream of”
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Close up
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Kuziva
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66
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Train station
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Close up showing the vocalist bare foot getting onto the train while the lyrics “y’never gonna see the day”
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Close up
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Kuziva
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67
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Train station
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Close up showing lead singer getting off the train with boots on while the lyrics “you cannot live without this” are being sung.
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Close up
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Kuziva
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68
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Train station
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Mid shot of the vocalist walking off the train while singing the lyrics “it’s never gonna be the same”.
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Mid shot
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Kuziva
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69
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Train station
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Close up showing the name of the new destination while the lyrics “this pain” are being sung.
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Close up
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Kuziva
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70
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Train station
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Long shot to show the vocalist walking away out of the train station while the lyrics “put on ya boots and keep on walking” are being sung.
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Long shot
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